[et_pb_section fb_built=”1″ _builder_version=”4.7.0″ custom_padding=”8px|0px|0|0px”][et_pb_row _builder_version=”4.7.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”100%” module_alignment=”center” min_height=”100px” height=”100px” custom_margin=”-7px|auto|-39px|auto||” custom_padding=”6px|0px|13px|0px||” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|phone” global_module=”1331″][et_pb_column type=”4_4″ _builder_version=”4.7.0″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/waikanaemusic.org.nz\/wp-content\/uploads\/2019\/12\/WMS-stave-Logo-clear-960.jpg” alt=”Waikanae Music Society – 2020 Concert Season” title_text=”WMS-stave-Logo-clear-960″ url=”https:\/\/waikanaemusic.org.nz” admin_label=”WMS Logo” _builder_version=”4.7.0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25″ width=”99.7%” custom_margin=”|2px|0px|auto||” custom_padding=”9px|0px|2px|0px||”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Concert Title” _builder_version=”4.7.0″ text_text_color=”#2f7be0″ header_font=”|700|||||||” header_text_align=”left” header_text_color=”#2f7be0″ header_2_font=”|700|||||||” header_2_text_align=”left” header_2_text_color=”#2f7be0″ header_2_font_size=”31px” header_2_line_height=”1.1em” min_height=”66px” custom_margin=”||0px||false|false” custom_padding=”|||33px|false|false” header_2_font_size_tablet=”” header_2_font_size_phone=”30px” header_2_font_size_last_edited=”on|phone”]<\/p>\n
[\/et_pb_text][et_pb_text quote_border_color=”#2f7be0″ admin_label=”Programme and Critic comment” _builder_version=”4.6.6″ text_font_size=”18px” header_2_text_color=”#000000″ width=”100%” min_height=”100px” custom_margin=”|2px||||” custom_padding=”|33px|0px|35px||” header_2_font_size_tablet=”” header_2_font_size_phone=”31px” header_2_font_size_last_edited=”on|desktop”]<\/p>\n
\u201creal artistry . . . it\u2019s fun listening to such splendid playing, Bach:\u00a0<\/strong>Praeludium in Eb Major, BWV 552 Bach:<\/strong>\u00a0Fugue in E flat major, BWV 552<\/p>\n Interval<\/em><\/strong><\/p>\n Reger:<\/strong> Variations and Fugue on \u2018God save the Queen\u2019 [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/waikanaemusic.org.nz\/wp-content\/uploads\/2020\/11\/Martin-Setchel-scaled.jpg” title_text=”Martin Setchell” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” admin_label=”Artist Photo” _builder_version=”4.7.0″ custom_margin=”||5px|||” custom_padding=”0px|||||”][\/et_pb_image][et_pb_text _builder_version=”4.7.0″ text_font=”||on||||||” text_font_size=”16px” text_line_height=”1.3em” header_text_color=”#ff355d” min_height=”48px” custom_margin=”2px|||||” custom_padding=”3px|6px|2px|2px||”]<\/p>\n Martin Setchell<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” min_height=”181px” custom_margin=”-2px|auto||auto|false|false” custom_padding=”2px|0px|14px|0px|false|false”][et_pb_column type=”4_4″ _builder_version=”4.7.0″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Artist Profile” _builder_version=”4.7.0″ text_font_size=”22px” width=”100%” custom_margin=”15px||12px||false|false” custom_padding=”||23px|||” border_color_all=”#2f7be0″ border_width_bottom=”3px”]<\/p>\n This concert is the first organ recital in the Waikanae Music\u00a0Society\u2019s 40 plus years. Christchurch city organist Martin\u00a0Setchell was recently called \u2018New Zealand\u2019s most widely travelled\u00a0concert organist\u2019 since over the last 20 years he has performed in\u00a0New Zealand, Australia, America, Canada, Europe, the UK and the\u00a0Far East. Highlights include the Mormon Tabernacle in Salt Lake\u00a0City, the Hill organ in Sydney Town Hall, the Hong Kong Cultural\u00a0Centre, the Oriental Arts Centre in Shanghai, St Paul\u2019s Cathedral,\u00a0London and the Bergen International Festival in Norway.<\/p>\n Born\u00a0and educated in England and awarded a Fellowship of the Royal\u00a0College of Organists, he studied with Pierre Cochereau, Marie-Claire Alain, Piet Kee, and Peter Hurford. After teaching for over 40 years at the University of Canterbury, he is now a freelance\u00a0performer, writer, music editor and conductor.<\/p>\n His programme will focus on major works from two great eras of\u00a0organ music. The first half will feature German Baroque music\u00a0including Bach\u2019s monumental BWV 552 Prelude and Fugue (St\u00a0Anne) and Walther\u2019s transcription of a Vivaldi violin concerto. The\u00a0second will include highlights from Romantic organ literature\u00a0and French symphonic music written for the great Parisian\u00a0churches like St Sulpice and Notre Dame.<\/p>\n Martin will be playing on the latest Rodgers organ – an incredibly sophisticated musical instrument. You will hear more than just one type of organ:\u00a0 German Baroque sounds at Baroque pitch and with an authentic tuning in the first half, and French and German Romantic voicings in the second.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.7.0″ _module_preset=”default” custom_padding=”7px|||||”][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.7.0″ _module_preset=”default” custom_margin=”-7px|auto||auto||” custom_padding=”0px||0px|||” border_color_all=”#2f7be0″ border_style_all=”double” border_width_bottom=”8px” border_style_bottom=”double”][et_pb_column type=”1_5″ _builder_version=”4.7.0″ _module_preset=”default”][et_pb_image src=”https:\/\/waikanaemusic.org.nz\/wp-content\/uploads\/2019\/12\/DeaneEndowmentTrust.jpg” _builder_version=”4.7.0″ max_width=”100%” max_width_tablet=”27%” max_width_phone=”” max_width_last_edited=”on|tablet” custom_padding=”|||1px||”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.7.0″ _module_preset=”default”][et_pb_text _builder_version=”4.7.0″ _module_preset=”default” text_font=”|300|on||||||” text_font_size=”19px” width=”100%” max_width_tablet=”66%” max_width_phone=”100%” max_width_last_edited=”off|phone” module_alignment=”center” custom_margin=”0px|||50px|false|false” custom_padding=”15px|0px|2px||false|false”]<\/p>\n This concert is generously supported by the Deane Endowment Trust.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.7.0″ _module_preset=”default”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Sunday 14 March Martin Setchell – Organ\u201creal artistry . . . it\u2019s fun listening to such splendid playing,meticulous and flawless . . .\u201d Bruce Steele – Organ Australia Programme Bach:\u00a0Praeludium in Eb Major, BWV 552Vivaldi (arr Walther):\u00a0 Concerto in B minorPescetti:\u00a0Sonata in C minor Bach:\u00a0Fugue in E flat major, BWV 552 Interval Reger: Variations and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"yoast_head":"\n
meticulous and flawless . . .\u201d Bruce Steele – Organ Australia<\/em><\/p>\n\n
Programme<\/h2>\n
Vivaldi (arr Walther):<\/strong>\u00a0 Concerto in B minor
Pescetti:<\/strong>\u00a0Sonata in C minor<\/p>\n
Vierne:<\/strong>\u00a0 Clair de Lune (from Pi\u00e8ces de Fantaisie, Opus 55)
Widor:\u00a0<\/strong>Toccata from Symphony No 5 in F (Opus 42)<\/p>\n<\/blockquote>\n