Amici Quintets

Saturday 27 April, 2:30pm 

doors open 1:45pm 

 

Amici Ensemble – String Quintets

Back row: Andrew Thomson (viola), Alexander McFarlane (viola), Andrew Joyce (cello)
Front: Yuka Eguchi (violin), Donald Armstrong (violin)

Programme

Ronald Tremain

String Trio, 3rd movement

Salina Fisher

“Yabo” for Violin and Viola

Mozart
String Quintet in C Major, K515
Brahms
Quintet No 2 in G Major, Opus 111

It has been quite some time (2016 in fact) since our regular favourites the Amici Ensemble played a concert for strings only. It will probably be a welcome calming interlude for them after the huge resources – nineteen musicians on many varied instruments – that were required for 2023’s Brandenburg Concerto concert.

Two New Zealand compositions from different generations – Ronald Tremain’s 20th century String Trio and Salina Fisher’s 2017 ‘Yabo’ for violin and viola – will open this concert before we hear two of the greatest string quintets ever written.

The quintets in this concert are Viola Quintets, with an additional viola added to the standard string quartet combination. Mozart wrote a huge amount of music for strings, including six Viola Quintets. K515 is a late work in which he reached the peak of his chamber-music inspiration. The impressive String Quintet by Brahms is also a late work – he originally intended it to be his final composition. There is no doubt that this impressive masterpiece stands as a towering achievement by one of the greatest chamber music composers.

Michael Houstoun

Saturday 23 March, 2:30pm 

 doors open 1:45pm

Michael Houstoun

Programme

Bach/Liszt

Organ Fantasy and Fugue in G minor
Liszt
Two Concert Etudes: ‘Waldesrauschen’ and ‘Gnomenreigen’
Liszt

Bénédiction de Dieu dans la Solitude

Gao Ping

Outside the Window

Chopin

Sonata in B minor

No musician is more popular in Waikanae than Michael Houstoun, so we are delighted to welcome him again with another of his appealing and well-crafted programmes.

The Fantasy and Fugue in G minor, one of the most magnificent of Bach’s organ works, will be heard here transcribed by Liszt for piano. Liszt, the leading musical figure of his generation, was very generous in transcribing and performing the works of other composers in order to promote their music, aiming to encourage appreciation and performance of music by composers who at that time were often under-appreciated. Liszt’s transcription is very faithful to Bach’s original, miraculously capturing the grandeur and richness of this magnificent work.

The programme continues with a selection of Liszt’s own works, displaying contrasted facets of this complex composer’s skill, ranging from the colourful and extroverted Concert Etudes to the deeply contemplative Bénédiction.

Chinese composer Gao Ping has very strong connections with New Zealand. His “Outside the Window”, a set of three short pieces, provides a charming interlude before we return to the music of the romantics with Chopin’s famous and very beautiful Sonata in B minor.

Várjon and Simon

Sunday 11 February  

 

Dénes Várjon and Izabella Simon

Dénes Várjon (piano) and Izabella Simon (piano)

Programme

Beethoven

Sonata in C minor, Opus 13 ‘Pathétique’

Liszt

Petrarca Sonnet, No 104

Bartók
Romanian Dance, Opus 8, No 1
Mahler

Symphony No 1 (arr. Bruno Walter for four hands)

Dénes Várjon is one of the most exciting and highly respected Hungarian pianists of his generation. He and his highly talented pianist wife Izabella Simon, fresh from their starring roles at the Nelson Chamber Music Festival, make a welcome return to Waikanae with a fascinating programme.

The first part of the concert features Dénes playing solo. Those of us who were astounded by his formidable rendition of Beethoven’s ‘Hammerklavier’ Sonata in Waikanae in 2019 will be waiting eagerly to hear him perform Beethoven again – this time the ‘Pathétique’. Then he pays homage to the music of his homeland with two contrasting brief pieces, Liszt’s serenely romantic Petrarca Sonnet 104 and Bartok’s intensely rhythmic Romanian Dance.

The first part of the concert is relatively short because what follows in the second half is monumental. Mahler’s first Symphony, arranged for four hands by the famous conductor Bruno Walter (who was also Mahler’s close friend) has been described as “a deeply personal work that takes the listener on an emotional and philosophical journey.” This is a rare opportunity to experience such an unusual version of a very famous symphony.